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Check jdmini out if you happen to have those pedals too. I tried online, there was a PDF in multiple languages requiring a weird download which carried a virus. However, with the drive control maxed out it’s not as defined as you might expect. To remedy the lack of cut and high-end, the tone control now steps in: Jemini Distortion Manual The name says it all! Image 2 of 2 The swirling colours can mean only one thing: Cons Slight lack of character on the overdrive channel.

Here are a series of sound clips that show how the pedal pushes an amp that’s set on the edge of break-up. Pros That outlandish finish. Only pages in English are the cover and pages 3 and 4.

Somewhat surprisingly, this seems to be great for a no-frills grunge sound where a super defined drive tone is not the order of the day; just a big muddy note-texturing overdrive that works for thrashing out barre chords.

All of these tones point to one man: Me my two sons and some jemjni have secured tickets to the St. This is not for discussing guitars Steve’s or otherwise. The finish is designed along the same visual lines as Vai’s signature UV Jem guitars. Dave Weiners tone prints for each of those are way cool.


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For example, bright consumes 49mA current, which basically makes the circular LEDs very bright for, well, bright gigging conditions. Channel two is a more face-melting and hair-raising manyal. My manual is in multiple languages as well. This channel, as with the first, finds its home or ‘sweet spot’ with plenty of gain from the drive control and with the tone pushed for optimum presence and attack – this is where fans of Vai’s signature lead tone will have the most fun.

I will finally get to see Steve live in Sacramento CA next month.

I finally got around to buying the Jemini distortion pedal. It’s not for storing sounds or adding sparkle to the tone though – it controls the intensity of lights!

Tried Ibanez two-weeks ago, and got no reply. This is the right-hand pedal, with all controls at 12 o’ clock:. It’s a harsher sound than channel one and with drive on full it has a more cutting rasp to the top-end.

Anyone out there know where I might find one? With multicoloured swirls on the ,anual zinc casing you are unlikely to trip over it onstage.

Let us know how your experience went at the Sacramento show. Can change em on the fly in seconds. The drive control isn’t particularly interactive either as it seems to go from minimal drive and output to a slightly more satisfying grainy, heavy overdrive. A twin-stomper that’s had Jem forum-junkies clamouring for details ever since it was spotted at ‘s NAMM showone glance at the finish and signature reveals it to be the first Ibanez Steve Vai signature stompbox.

Jemoni 1 of 2 Each channel has drive, tone and level controls.

Jemini Distortion Manual –

Each channel has a trio of identical controls in the shape of independent drive, tone and level pots. You quickly notice a distinct difference between the two channels: This pedal is almost exclusively designed for Vai’s fans, guys who have the guitars, the amps and other ephemera associated with the man in question, or at the very least those who are beginning to get into the Vai sound. Its limited run appeal should not cloud its potential as it’s a very cool looking and sounding dual-channel distortion pedal that, while it takes up a fair bit of real estate on your board, may save on the cabling nonsense between two single stompers of the same creed.

  EN 60268-7 PDF

This is the right-hand pedal with the volume and tone at 12 o’ clock and the drive at 3 o’ clock:. Tonally it’s vaguely similar to an Ibanez TS9 Tube Screamer but has nowhere near the same presence or aggression an original TS9 has at its disposal. Save reduces the current to 23mA for darker stages, and saves battery power in so doing. Came without a manual. Shrouded in mystery, the highly anticipated, limited-run Jemini Distortion pedal has arrived.

Got to love technology these days. The Jemini has two very similarly voiced channels: Yet again with the tone rolled off the pedal gets dark very quickly, although with that the low end gets softer and more spongy in response.

It’s been rumoured that Ibanez designed the Jemini to replace two of Vai’s favourite pedals: The card that came with it manuual his main settings as being this: Green Channel — Drive: