Franz Schubert. Ganymed (“Wie im Morgenglanze”), song for voice & piano, D. (Op. 19/3). Composition Information ↓; Description ↓; Appears On ↓. 1 Schubert: “Herze” 2 Goethe ( and editions), and Schubert: “dich” 3 Schubert: “ich und” 4 Schubert: “Ach wohin” 5 Schubert: “Hinauf. Febr. 1 Schubert: “Herze” 2 Goethe ( and editions), and Schubert: “dich” 3 Schubert: “ich und” 4 Schubert: “Ach wohin” 5 Schubert: “Hinauf.

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Our research has never had any government or institutional funding, schunert if you found the information here useful, please consider making a donation. An die Natur D. Ganymed was the fabled Trojan youth who, called by Zeus, was carried up into Olympus to become the gods’ immortal cup-bearer. Klage der Ceres D. Contents 1 Performances 1. As the humanist poet, Goethe presents both identities as aspects or forms of the human condition.

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Available translations, adaptations or excerpts, and transliterations if applicable: Du bist die Ruh D. Auf der Donau D. Daphne am Bach D. Die Macht der Liebe D.

Der Flug der Zeit D. Drinking Hanging Out In Love. Auf dem See D. Schubert Schubrrt and Duets. An die untergehende Sonne D. Die junge Nonne D. An die Leier Gaymede. Felicity Lott Sings Schubert. An den Mond in einer Herbstnacht D. Julius an Theone D. Schubert also dedicated his Op.

The Collector’s Edition [Box Set]. Gesang der Norna D. Alte Liebe rostet nie D. Goethe’s treatment of the legend avoids references to anything specifically Greek, instead focusing on the beautiful comfort of nature and the love of — and for — the divine.

Berthas Lied in der Nacht D. Eine altschottische Ballade D. Rainy Day Relaxation Road Trip.

Auf den Tod einer Nachtigall D. Lachen und Weinen D. Dichtung und Wahrheit Italian Journey. An die Geliebte D. An die Sonne D. Auf der Bruck D. Das grosse Halleluja D.

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Trost im Liede D.

Ganymed (Goethe) – Wikipedia

Both belong to the period to Die erste Liebe D. Der Blumen Schmerz D.

Ich komm’, ich komme! Dass sie hier gewesen D.

Ganymed, D.544 (Schubert, Franz)

Auf dem Strom D. The composer’s love of striking chromatic modulations is apparent throughout, as in the serene A flat major opening that moves into the rich land of C flat major to “languish” within a field of flowers. Vedi quanto adoro D.