Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the author’s Discourse Networks. Gramophone, Film, Typewriter. FRIEDRICH KITTLER translated by DOROTHEA VON MUCKE with the assistance of. SIMILON. Optical fiber networks. Gramophone, Film, Typewriter. Detailed accounts of the ruptures brought about by the differentiation of media and communication technologies. Post-Gutenberg .

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I dislike it so much that I’m not even going to try and analyze why.

Sep 11, Bennett rated it really liked it. The Truth of the Technological World: Friedrich Kittler’s thesis is simple enough: Read for a class. Gramophone was pretty over my head, but I liked Film and Typewriter a lot.

All of these issues are apparent kittoer the ninety-three-page gramophone chapter. The text is supplemented by a fantastic array of primary sources and critical perspectives. As such, it bridges the gap between Kittler’s discourse analysis of the ‘s and his increasingly computer-oriented work of the ‘s. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines.

Sinclair von Sinclair rated it really liked it Aug 03, The only great thing about the book are the very long quotes, stories, and essays he pulls from other writers. Withou The best part about this book are the short, fictional interludes.

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Gramophone, Film, Typewriter by Friedrich A. Kittler

Kittler can’t be bothered. In this approach Kittler builds on Marshall McLuhan’s emphasis on “mediality,” Michel Foucault’s descriptions of the relationships between printed texts and the control of the body, and his own work on the construction of readers and families in the age of Goethe.

To Kittler, this is gramolhone end of the reign of humanity, the point at which the logic of the machine surpasses us, leaving behind any possibility for a Romantic-Classical resurgence. Jun 10, A.

Gramophone, Film, Typewriter

In Berlin, a boisterous and antagonistic Communist poet told me, “I fucking hate Kittler. The entire question kittleer referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.

Previously, writing had operated by way of symbolic typewritwr data had to pass through the needle’s eye of the written signifier—but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light.

References to this book Postmodern Sublime: Geoffrey Winthrop-Young and Michael Wutz.

Ben rated it really liked it Mar 08, Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data.

Return to Book Page.

But I hate it. On the other hand, the translators take twenty-seven pages to explain Kittler’s background and goals to those unfamiliar with the posts debates over power, language, and free will. I was happy to read that article in Wired this month about how Second Life isn’t working out like the brave new world that some corporations hoped, because its engines are outdated and no one is there.

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Finally, there oittler the challenge of the book’s friedricu and Kittler’s writing.

Toward the end of the nineteenth century, the hegemony of the printed word was shattered typewrtier the arrival of new media technologies that offered novel ways of communicating and storing data. The excellent translation by Geoffrey-Winthrop Young and Michael Wutz is highly readable no awkward Germanisms and is preceded by a thorough and incisive introduction. He’s got a wry sense of humor that I found quite enjoyable. AmazonGlobal Ship Orders Internationally.

Project MUSE – Gramophone, Film, Typewriter (review)

Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. As such, it bridges the gap between Kittler’s discourse analysis of the ‘s and his increasingly computer-oriented work of the ‘s. I’ll just say In Berlin, a boisterous and antagonistic Communist poet told me, “I fucking hate Kittler.

Jan 11, Lou Weis rated it fipm was amazing.