Amarilli, mia bella. Giulio Caccini. One of the most famous songs of any era is Amarilli, mia bella (“Amaryllis, my beauty”). Dozens and dozens of performances . Giulio Romolo Caccini (also Giulio Romano) (8 October – buried 10 December ), . repetition; some of the songs, however, are strophic. Among the most famous and widely disseminated of these is the madrigal Amarilli, mia bella. (and a Few Answers). TIM CARTER. AMARILLI, mia bella is the best known of the solo madrigals t. Caccini included in his Le nuove musiche of ‘ The tex.

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Madrigals ; Songs ; For voice, continuo ; For voices with continuo ; Scores featuring the voice ; Scores with basso continuo amqrilli Italian language ; For flute, piano arr ; For 2 players ; Scores featuring the flute ; Scores featuring the piano ; For oboe, piano arr ; Scores featuring the oboe ; For clarinet, piano arr ; Scores featuring the clarinet amarllli For soprano saxophone, piano arr ; Scores featuring the soprano saxophone ; For alto saxophone, piano arr ; Scores featuring the alto saxophone ; For saxophone, piano arr ; Scores featuring the saxophone ; For baritone saxophone, piano arr ; Scores featuring the baritone saxophone ; For bassoon, piano arr ; Scores featuring the bassoon ; For female chorus arr ; Scores featuring female chorus ; For unaccompanied chorus ; For 2 trumpets, 2 trombones arr ; For 4 players ; Scores featuring the trumpet ; Scores featuring the trombone ; For voice, piano arr ; For voices with keyboard ; For 3 viols arr ; Scores featuring the viol ; For 3 players.

Leonard Warren on Tour in Russia. Cross posting by Art Song Central. Giulio Caccini, Scott Gendel. Public Domain Edition notes: Views Amadilli Edit View history. Wikimedia Commons has media related to Giulio Caccini. The introduction to this volume is probably cacciin most clearly written description of the performance of monody, what Caccini called affetto cantando passionate singingfrom the time a detailed discussion of the affetto cantando performance style can kia found in Toft, With Passionate Voicepp.

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The introduction is also important in the history of music theory, as it contains the first attempt to describe the mi bass of the basso continuo style of the Seconda pratica. Privacy policy About ChoralWiki Disclaimers. According to his own writings, his music and singing met with an enthusiastic response. Ferrucio Tagliavini in Opera and Songs. He died in Florence, and is buried in the church of St.


Amarilli, mia bella (Giulio Caccini) – ChoralWiki

Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation. Giuseppe De Luca, Vol. Retrieved from ” https: His rivalry with both Emilio de’ Cavalieri and Jacopo Peri seems to have been intense: For more information, contact us at the following address: It remains only to say that ties in the bass part are used thusly by me: Little is known about his early life, but he was born in Italy, the son of the carpenter Michelangelo Caccini; he was the older brother of the Florentine sculptor Giovanni Caccini.

Streams Videos All Posts. With Caccini’s abilities as a singer, instrumentalist, and composer added to the mix of intellects and talents, the Camerata developed the concept of monody —an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments—which was a revolutionary departure from the polyphonic practice of the late Renaissance.

However, Rome, the home of Palestrina and the Roman Schoolwas musically conservative, and music following Caccini’s stylistic lead was relatively rare there until after Note that I have been accustomed, in all places that have come from my pen, to indicate with numbers over the bass part the thirds and the sixths — major when there is a sharp, minor when a flat — and likewise when sevenths or other dissonances are to be made in the inner voices as an accompaniment.

Caccini’s preface includes musical examples of ornaments—for example how a specific passage can be ornamented in several different ways, according to the precise emotion that the singer wishes to convey; it also includes effusive praise for the style and amusing disdain for the work of more conservative composers of the period.

Madrigali scelti et varia. Songs for Soprano and Lute.

Amarilli mia bella, for voice & continuo (from Le nuove musiche)

Available translations, adaptations, and transliterations if applicable: The Best of Andreas Scholl. Also during this time he took part in the movement of humanists, writers, musicians and scholars of the ancient world who formed the Florentine Cameratathe group which gathered at the home of Count Giovanni de’ Bardiand which was dedicated to recovering the supposed lost glory of ancient Greek dramatic music. The Italian Dramatic Lament. Introspection Late Night Partying.


Italian Chambermusic of the Caccjni. This page was last edited on 1 Decemberat Amarilli, mia Bella Composer: History of Baroque Music. Creative Commons Attribution 3.

Work Title Amarilli Alt ernative.

Amarilli, mia bella (Caccini, Giulio)

Bringing Light into the Unknown. He was a tenorand he was able to accompany himself on the caccini or the archlute ; he sang at various entertainments, including weddings and affairs of state, and took part in the sumptuous intermedi of the time, the elaborate musical, dramatic, visual spectacles which were one of the precursors of opera.

Sexy Trippy All Moods. The work has become a favorite with young singers, as the range is tiny only a ninth amafilli the highest note to the lowest but still provides a chance to show off control and phrasing. Florence and Venice were the two most progressive musical centers in Europe at the end of the 16th century, and the combination of musical innovations from each place resulted in the development of what came to be known as the Baroque style.

Voice of an Angel. Text added to the website between May and September ByCaccini was singing at the Medici court. King’s Court and Celtic Fair. This delicate arioso is not as melodic as many contemporary works, but rather shows off the phrasing ability of the singer and the interplay between the voice and the accompaniment.

Jazz Latin New Age. Il Trionfo di Zurigo. Although it is often considered the first published collection of monodies, it was actually preceded by the first collection by Domenico Melli published in Venice in March stile venetoin which the smarilli year began on 1 March.